![]() ![]() If you've selected Poly, the sub-menu will also let you assign MIDI channels (between 1 and 16) to each of the synths you've put under software control. All three modes are offered, namely Omni (all parts played exactly the same), Poly (different parts can be assigned to different synths), and Mono (for use with multi-timbral synths such as the Oberheim Xpander and SCI SixTrak, where each monophonic track can be given both a different part and a different sound. It's worth noting that if the file in question is a little on the long side, the loading process can take a long time too (about five minutes, to be exact), which is a bit tedious and more or less rules the package out for live work.Īnyway, once you're back in the main menu, selecting M takes you to a further sub-menu from which you can select MIDI modes and channels. ![]() Once you've decided which file you want, and given the computer your instructions (luckily, single keystrokes are the order of the day here), the micro will obey and return you to the main menu automatically once the file has been located and called up. Now, the first option you select is obviously D. When this has been done, the main menu appears, and this presents you with three options, these being Composer (accessed by typing C on the 64's keyboard), which allows you to record, edit and replay music Disk Operation which lets you load, save, rename and erase music files and MIDI which enables you to assign any of the six tracks to different MIDI outputs and to select one of three MIDI modes.Īs an example of the way this bit of the software works, let's take the factory demo piece that comes with the disk. When the computer responds with READY, you type in SYS50000, and the micro goes a-hunting for the main program, which takes a few minutes. On powering-up the computer, the software is accessed by inserting the disk and typing LOAD"CMP1.1",8,1. Key velocity information can also be stored (assuming that your keyboard is velocity-sensitive and is capable of transmitting dynamic information via MIDI), and unlike some other systems I've come across, the Siel doesn't seem to need much memory space to store this data. Siel's first piece of sequencing software for the Commodore 64 is a six-track steptime only composer with a capacity of around 1500 events per track, each of these being monophonic.
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